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Creepy shadow appears at noon

George Johnston, a barman in Dartmouth, Devon in England, captured something pretty weird at a corner called Deadman’s Cross. The location, shown here in Google Maps, doesn’t look like much, but at about noon from a perspective across the street this collection of street signs and a light puts out a very disturbing shadow. Here is Johnston’s original picture from Facebook, showing what appears to be  man hanging from a post. What’s even stranger is that this intersection is called Deadman’s Cross because it used to be the sight of executions!

Creepy photo captured by George Johnston (see original post)
Creepy photo captured by George Johnston (see original post)

Obviously, this is just a strange trick of the light combined with pareidolia, our predilection for seeing meaningful patterns. (This has been sited as our reason for seeing people on Mars.) But is something like this really just a coincidence? After all, this picture has generated a lot of interest in this intersection. Perhaps this curiosity will cause someone to dig deeper into the history of these executions and people may be remembered who were otherwise lost to obscurity.

I was able to find little information about the history of Deadman’s Cross, and now I’m interested.

Shadows are fascinating. Several artists have harnessed them in bizarre works of art. Take some time to view this amazing exhibit by Tim Noble and Sue Webster who use light and artistically arranged piles of junk to create haunting images.

And who could forget this famous shadow moment from Nosferatu?

Of course, shadows cannot really harm us. They can only make us remember and imagine. Here’s hoping that you see angels in your shadows today.

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Mark Twains final work dictated by Ouija board?

Title page of Jap Herron
Title page of Jap Herron

It’s 1917 and there is a deal of controversy about a new book called Jap Herron. Why the controversy? The publishers claimed that the book was written by Mark Twain, dictated through a series of sessions with a Ouija board.  The book can be read in its entirety through the publicdomainreview.org site. This was weird in a number of ways. Twain was one to poke fun at such things. In 1866 he wrote an account of attending a seance in the Virginia City Territorial Enterprise.

Twain’s family was not happy about the book. His daughter Clara sued to halt publication. The woman who published the work, Emily Grant Hutchings, was not interested in a court battle, so she agreed to halt distribution and most copies were destroyed. It is a blessing of the technical world that we can have access to it at all. I hate when any kind of creation is completely destroyed.

While Twain was the most famous, he was not the only author said to reach across the veil and type their works through a planchette. In 1913, a 17th-century woman named Patience Worth, who said she was killed in an Indian raid, began to communicate with Pearl Curran. Shortly after the first sessions, Patience began to dictate poetry, novels, and plays. The link between Pearl and Patience became so strong that they were eventually able to abandon the board and the words just came into Pearl’s mind so she could speak them outright. (Dictating one letter at a time must be grueling!)

The site patienceworth.org contains a large collection of her poems. Her books Hope Trueblood and The Sorry Tale are available to read online. There is also a contemporary book, Patience Worth : a psychic mystery by Casper Yost, that gives you an idea of how this was seen at the time.

Jane Roberts began communicating in 1963 with an entity that identified itself as Seth. Over time they accumulated a good deal of information that was published as The Seth Material. I also found some interesting video on YouTube of Roberts talking about her encounters with Seth. All of this work seems more geared to spiritual teaching rather than literature.

Recently, the band The Mars Volta claimed their album The Bedlam in Goliath was inspired by a Ouija board. This NPR review lets you hear some of the album and considers the Ouija claim. There is also a YouTube video of an interview with Omar Rodriguez-Lopez (WARNING: CONTAINS SOME ADULT LANGUAGE) where he talks about the more troubling aspects of that experience.

If we consider talking boards to be gateways to other worlds and other beings why wouldn’t they want to express themselves? It seems like a great way to keep in touch with one’s public. Of course, who gets the royalties?

If you are in the Austin, Texas area, I will be participating in a special event presented by the Austin Horror Society centered around talking boards. It’s at Sherlock’s pub on Tuesday, October 13th and it’s free! See more on the Facebook event.

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Weird world of spirit photos

Photo of a young lady posing in front of a skeleton on display
One of our Museum guests poses with Emily, the haunted skeleton. Alas! No ghosties.

When someone in the Museum seems to have an especially strong connection to Emily, our haunted skeleton, I always try to take a couple of photos of them standing next to her. I take two so that I can see any differences between them. If I was using a proper camera rather than my phone I’d use the automatic feature to take several frames. That way if there is any sort of anomaly such as an orb I have a better chance to catch it.

The idea of photographing ghosts is almost as old as the camera itself. The first reported ghost photo was taken by a man named W. Campbell in 1860. It was a picture of a chair which, when developed, was found to contain the ghostly figure of a boy. Early camera technology was primitive and very long exposures were required to get a good image. Everyone had to remain very still for a minute or so. Any movement or someone stepping in or out of the picture would create a ghostly apparition. Campbell maintained that this was not the case in his photo. (I looked but have not yet found a copy of this image to share.)

1872 photo of a bearded man with a faint figure of a woman
First spirit photo taken in 1872
Photo of Mary Todd Lincoln in black with a ghostly figure of Abraham Lincoln resting his hands on her shoulders
Photo of Mary Todd Lincoln with the apparition of Abraham behind her

However, after the rise of spiritualism, people began trying to capture images of ghosts on camera. The original king of spirit photography is William H Mumler. His first spirit photo shows the apparition of his deceased wife. Mumler became the first one to do portraits of people that contain ghosts. His most famous one is probably the photo he took of Mary Todd Lincoln which shows her husband standing behind her in an apparent gesture of tenderness.

Remember that these were in the days before digital photography and enhancing photos with Photoshop (or the freely available GIMP). Everything had to be done on glass plates. If we assume the Lincoln photo is faked it still shows a remarkable amount of skill!

Others began to do spirit photos. William Hope started his own line of photos in 1905. Here are examples of his work.

Early 1900s photo of several people seated around a table as a ghostly hand reaches up from a mist
A ghostly hand rises up to rap on the table during a seance.
Early 1900s photo of a seated man as squiggles of light surround him
This man appears to be surround by swirling mists of energy.
Early 1900s photo of a famly visiting a deceased man. An apparition peers leans into the picture.
A ghostly photobomb?
A larger collection of Hope’s photos is available for study. Here is another excellent collection of spirit photos from various sources by photographers Jack and Beverly.

Of course, with all of these apparent fakes does that mean that there were no legitimate spirit photographs taken? Before you decide you might want to take a look at this photo gallery from the folks at paranormal.about.com. These are the cream of the crop from many, many submissions that people receive.

We actually have a video, recently received from a guest that shows some unusual activity. We need to mask a child’s face for privacy reasons but the we will share it with you. If you have ghostly photos you have taken, please share them with us! You might be featured in a future blog!

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Dollhouses of death

B&W photo of a older woman int he 1930s working on a miniature scene
Lee works on another of her macabre dollhouse scenes

This kindly grandmother was  a master of creating intricate dollhouse scenes…with one small twist. Her scenes depicted detailed accounts of actual murders.

Frances Glessner Lee, born in 1878, developed a fascination with forensic pathology, something that was distinctly not ladylike for her time. In the 1940s she began to construct a fascinating series of miniature dioramas that showed details of various crime scenes. They were used to instruct investigators about finding clues and correctly viewing a site. They are still used to day.

Looking at these tiny little snapshots of murder created with toys is quite disturbing. The detail is equal to anything one would see on CSI. Each scene is clearly from an older time, showing quaint iceboxes and a day before televisions dominated the home.

Miniature dollhouse scene in an old paronage with a girls body laying in the center of the floor
Here is an example of Lee’s gruesome creations

Details of bloody walls, bruising and wounds on a body, discarded objects and murder weapons are all intricately reproduced. It is simultaneously compelling and horrifying, as though Ken finally slipped and went on a rampage.

You can see detailed views and explanations of Lee’s works on the Death in Diorama web page. While the images are compelling all on their own, the detailed analysis of what the viewer should consider from each scene is fascinating.

Of course, there is a documentary about Lee, her work and the influence it has had and continues to have on training forensics experts. This video is an NPR story about the film, Of Dolls and Murder. Narrated by John Waters, this film is an eerie glimpse into the world of murder in miniature. Frances Glessner Lee is one weird grandma!

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Underground wonder park

Photo of the entrance to Salina Turda, a small, shell-shaped building with elaborate glass panels and surrounded by a railing
Photo by Ana Maria Catalina (Own work) [GFDL or CC BY-SA 4.0-3.0-2.5-2.0-1.0], via Wikimedia Commons
The building, standing alone in Transylvania, looks unassuming. It’s a little artsy building which could be a museum or a gallery. Indeed, there is art inside. Then, you step into the elevator and descend into an amazing site, an underground amusement park.

This is Salina Turda, a medieval salt mine that was in operation as early as 1075. It ceased mining operations in 1932.

In 1992, people began using the mine as halotherapy center, attracting tourists. The salt atmosphere is considered healthful and the air in the mine may be some of the purest on the planet due to the many layers of natural filtration.

Beginning in 2008, the Romanians undertook a massive renovation project, transforming Salina Turda into a wonderland. The park features table games, boats to paddle around an underground lake, a Ferris wheel, an amphitheater, and more, engulfed in the surreal, subterranean atmosphere of the gigantic caverns. It’s not exactly Six Flags. It’s not built for thrills, but I can’t imagine anyone coming down here without getting goosebumps.

This video shows the architecture and many of the sites. There is a wonderful gallery of photos on their web site and any image search will turn up beautiful, haunting pictures.

Here are additional photos:

Salina Turda tunel de acces 4
Entrance tunnel
Photo by Cristian Bortes from Cluj-Napoca, Romania (Salina – Turda) [CC BY 2.0], via Wikimedia Commons
Salina Turda - sala principala
The main hall with salt stalactites on the left side
By Strainu [CC BY-SA 3.0 ro], via Wikimedia Commons
Salina Turda 045
Rudolf hall is 80 m (260 ft) long, 50 m (160 ft) wide and 40 m (130 ft) high.
Photo by Cosmin Danila [CC BY-SA 3.0 ro], via Wikimedia Commons
Salina Turda 007
The Crivac hoisted salt to the surface.
Photo by Cosmin Danila [CC BY-SA 3.0 ro], via Wikimedia Commons
Salina Turda Img 4166
View of the underground lake and UFO-shaped constructions
Photo by Adymark [CC BY-SA 3.0 ro], via Wikimedia Commons
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Music of the trees

People talk about harmony in nature. Artist and engineer, Bartholomaus Traubeck, took this quite literally with his unusual creation that turns the rings on a tree into music.

The device looks very much like a vinyl DJ station. A slice of tree is put on a turntable and an arm with a sensor tracks the rings, converting them to piano notes. The music is unlike anything that you’ve ever heard. Here is a video of one tree’s song that he calls “Years.” It begins at the center of the tree, the youngest part, and then works its way out to the edges. It’s fascinating to hear everything become more complex as the tree ages.

The scientific study of tree rings is called Dendrochronology. There is currently no word for someone who creates music from them. Is he a composer? The music is in the trees; he is using technology to find and interpret it. Perhaps some things don’t need a classification. That’s why they’re wonderfully weird.

Traubeck provides more detail about his motivations and methods in this Huffington Post interview. You can hear more tree music and purchase albums through his web site.

Do you know of more music from nature? Tell us about it!

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Artist creates bizarre crocheted skeletal remains

We have some bizarre art for sale at the Lucky Lizard. But we also have to tip our hats to people who create amazingly bizarre works. Caitlin T. McCormack is one such artist. Using string, Caitlin creates intricate animal skeletons that will cause a double-take. Here is a video with some startling examples. (Warning: the funky music might need to be turned down in your environment.)

https://youtu.be/4MVSNMeacI4

You can see a fuller portfolio on her web site. For those who appreciate the intricate architecture of the skeleton, they are beautiful to behold. Unfortunately, as of this writing, she appears to be sold out of everything, or we might find a way to include one in the Museum.

We are in, awe, however. It is all amazingly done and we are grateful to have the chance to see them virtually.

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Ouija does it…

ouija_boards
Three talking boards await clearing by Doc Saul Ravencraft.

As I give tours to visitors at the Museum of the Weird I tell them about my role in making sure that everything our owner, Steve, brings to the Museum is safe for display to the public. We have young people and drinking people who come in and we don’t want anything that will be spiritually challenging or that might follow you home.

Recently, Steve walks in with these three talking boards that I think he bought from an estate sale. If you are alive, you know that talking boards (Ouija is treated as a trademarked brand name by Parker Brothers) have a reputation for ghostly activity and demonic possession that would make for a good horror film. Though, it usually makes for a bad horror film; the 2014 film Ouija only hit 7% on Rotten Tomatoes. If you are dead, you might find these corridors of communication to be pretty interesting. (I’m not sure what our readership is from beyond.)

Are talking boards dangerous? Are they invitations to dark spirits? Are they a telephone to relatives on the other side? Are they a party game that is more hoax than hex?

ouija_does_it
May 1, 1920 cover featuring Ouija board art by Norman Rockwell

Talking boards haven’t always had this terrible reputation. When they were first made commercial by William Fuld in 1890 spiritualism was in its heyday. People didn’t have an Xbox to gather around so they found other ways to entertain themselves. A séance made for a fun evening, whether you were a true believer or not. (It still does.) It was a common enough part of Americana that Norman Rockwell chose it for the May 1, 1920 cover of The Saturday Evening Post.

To get a feel for all of this, I highly recommend looking through the on-line Museum of Talking Board’s gallery. There are some beautiful and quirky versions of the talking board.

The darker reputation of the Ouija board is a more recent phenomenon. It’s not hard to find terrifying tales by people whose game turned into something supernatural. Religious and skeptical groups cry out against them, though for opposite reasons. Even so, the boards remain popular, with the classic boards selling more. Beautiful, artistic versions of the board are widely produced.

Of course, you don’t need to buy a fancy board to make a connection. You can make your own talking board with a piece of paper, Scrabble® tiles or any number of methods. For homemade methods it’s common to use an overturned glass. There are also games, such as the more recent Charlie Charlie, that look to connect with nothing more than a piece of paper and a couple of pencils. (Some of the Charlie Charlie videos are pretty funny.)

On my end, I used my own methods to clear these talking boards of any previous spiritual presence they might contain. The Ouija Queen board went to another collector and the other two came into my own. Will they be tools for amusement or will they open gateways into terror? Time will tell. Until then, I leave you with this brief TV ad by Parker Brothers.

 

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Monuments of bone

Humans have a fascination with the remains of our ancestors. There are many examples in the Museum of ways that artifacts have been preserved for religious, magical, and historical purposes. Some of our items have come with a little extra, such us Emily, the skeleton which arrived with a ghost who haunts the Museum.

Of course, by some standards our collection is ridiculously tame. Here is a fascinating panoramic view of a bizarre chapel in Czermna, Poland, constructed with human skulls and bones. Move your mouse around in the picture to look all around.

You can read more about this fascinating monument in this article from the Smithsonian Institute.

There is also the Seldec Ossuary, also known as “the Kutna Hora bone church.” This video tour shows how human bones have been used to create chandeliers and other things in the monastery.

Are these the vestiges of superstition, throwbacks to a time when we looked for souls in a sneeze? Are they respect for the vast number of lives who have come before us? Are they just weird art?

Come to the Museum of the Weird and experience our mummies, skeletal items, and other bizarre examples of how people have kept the dead near by. See some other examples of bone monuments in this article by Mental Floss.

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The Copenhagen Nose Memorial

The Ny Carlsberg Glyptotek museum in Copenhagen features a number of Greek and Roman portrait busts and statues. These are very fragile and a number of them ended up with broken noses. In the 19th century there was a restoration trend, where museums attempted to restore classical art. New noses were fashioned out of marble or plaster and affixed to the statues to make them whole. In the 20th century, this idea was revisited and they decided that the works should be shown in their natural state, brokenness and all.

Nasothek-2
Diagram Lajard derivative work: Hic et nunc (Nasothek.JPG) [Public Domain, CC0], via Wikimedia Commons
During this “de-restoration,” a strange collection of noses and other parts was assembled. Rather than throw them away they were used to create a new piece of art called Nasothek. The purpose of the exhibit is to call to mind the sins of artistic curators of the past so that we may never be tempted to do such a thing again.

One might wish that Steven Spielberg or George Lucas had been given the opportunity to see this monument before they were tempted to revise their own art.

Steve Spielberg infamously used CGI to replace any appearance of a gun in E. T. with a walkie-talkie (Kids, that’s a device used to communicate by radio before everyone had a mobile phone). Spielberg ultimately admitted regret for this decision.

George Lucas made numerous alterations to his Star Wars films, but the most notorious was the “Han shot first” controversy. This is where the later release of Star Wars was altered to make it look as though Han Solo shot a bounty hunter in self defense rather than preemptively. Peter Mayhew, the actor who played Chewbacca in the the films, settled the matter once and for all by posting a picture from his shooting script on Facebook. Lucas also saw the light and released the original edit in 2006.

No matter what your art, Nasothek is a reminder that art can and should stand on its own. Imperfections or politically incorrect elements cannot be washed away without wiping the original purpose of the art. We have some of the weirdest art in the land for sale at the Lucky Lizard. We wouldn’t change a bit of it.